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One of the UK’s most
distinguished actors has been criticized for claiming theater is a “white
invention” that is ingrained in the DNA of the Caucasian race.
Dame Janet Suzman, known
for her Shakespearean roles, was responding to the views of Meera Syal, a
British-Asian comedian, who last week urged theater companies to do more to
involve the UK’s Asian community.
“Theater is a white
invention, a European invention, and white people go to it,” Suzman claimed. “It’s in their DNA. It starts with Shakespeare.”
Suzman also complained
that people from ethnic minority backgrounds simply don’t go to the theatre
because it isn’t part of their culture.
“I’ve just done a South
African play. My co-star is a young black man from the slums of Cape Town.
Totally brilliant actor! I saw one black face in the room, at the Print Room
[London theater],”
she said.
“And they don’t bloody
come. They’re not interested. It’s not in their culture, that’s why. Just as
their stuff is not in white culture,” she added.
The statements come as
the British government warns arts organizations they could lose funding if they
fail to improve diversity in their institutions.
Under new plans unveiled
by the UK Art Council, organizations will have to demonstrate how they have
implemented plans to be more inclusive of ethnic minority groups, which are
generally poorly represented in the arts and media.
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Responding to Dame
Suzman’s comments, Syal, one of Britain’s most prominent actors, said she had
“never heard any single race or culture claim theater” as their exclusive
invention before.
“The sharing of stories
between performers and audience stretches across every single civilization
beginning with the oral tradition of re-enacting folk tales or religious myths,
graduating into more formalized forms of structured staging,” she said.
She also said there was a
“more profound” discussion
to be had regarding audiences.
Other figures in the arts
also hit out at Suzman’s comments, saying theaters had to find better ways to
be more inclusive of ethnic minority groups.
“She’s ill-informed about
the very old traditions of African and Indian cultures, which go back thousands
of years. It’s sad that she thinks that,” Ben Okri, Booker Prize winning novelist
and former National Theatre board member, told the Guardian.
Okri also told the
newspaper that during his tenure at the National Theatre, the organization
“tore its hair out” figuring out how to attract more diverse audiences.
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